beverley Knight - Birmingham Living

Soul powerhouse Beverley Knight talks to Shelley Carter about acting up, Memphis vibes and fairy wings

Three years ago we interviewed a breezy Beverley Knight as she was turning 40 and embarking on a stage career as Rachel Marron in The Bodyguard. She felt she was ‘in at the deep end’, but embraced the challenge. A few years on and we caught up with the Wolves lovely to talk panto – she’s playing the Fairy Godmother in Cinderella at the Hippodrome – and life as an established actress as well as a soul diva.

Beverley’s CV is immense. She’s sold more than a million albums ¬– one platinum and four gold –scooped three MOBOs and an outstanding achievement gong at the Urban Music Awards, has sung with the likes of Stevie Wonder, Prince and Chaka Khan to name just a few and collected an MBE along the way which she accepted mainly because she knew how much it would thrill her parents. It turned out to be the only time she saw her dad cry. She was nominated for an Olivier Award for Memphis The Musical which is astounding considering it was essentially her second serious musical theatre role and now she’s chucking herself into the surreal world of the pantomime. Oh yes she is.

MULTI-MILLION PANTO

Hugely proud of her roots, Beverley’s back in the Midlands as often as she can be, so her stint in the Hippodrome’s blockbusting panto alongside Suzanne Shaw and Strictly Come Dancing winner Danny Mac will give her some precious time at ‘home’. With just a two-week rehearsal process the pressure’s on but pantomime virgin Beverley is taking it in her stride. “Give me a microphone and I’ll be just fine!” she said.

With a £5million budget, the Hippodrome’s production isn’t your average pantomime, so Beverley’s started at the top of the panto heap. Lavish costumes and top-notch production values make it a must-see and with Beverley headlining so to speak, it’s sure to pull in the crowds. Two shows a day for six weeks is a tall order, but one that Beverley’s ready for. She explained: “With The Bodyguard the whole show was on my shoulders which was intense, so this’ll be a bit different. People have said to me panto’s hard work but such a laugh, so I’m looking forward to that and it’s just so glorious to be here.”

After a tricky year it will no doubt be even sweeter to spend time near friends and family. A diagnosis of uterine fibroids in May resulted in surgery to remove them as well as a hysterectomy that meant she had to reluctantly move her I Love Soulsville tour from June to October. After a lengthy recovery process, Beverley’s back doing what she loves, thrilling crowds with her insane vocals.

MEMPHIS SWELL

Eighth studio album, Soulsville which was released in June to coincide with the tour before it was postponed took Beverley back to her beloved Memphis to record at Willie Mitchell’s legendary Royal Studios. Beverley fell in love with Memphis in 2014 when preparing for her role in Memphis The Musical, so was super excited to be back and the album is like a celebration of the city and its musical heritage. On the album Beverley collaborated with Jamie Cullen, Jools Holland and Sam Moore of Sam and Dave on three Memphis classics. The rest is new material with a classic-rich soulful vibe.

Soul was also high on the agenda at a Late Night Prom with Jools Holland earlier in the year which Beverley jumped at the chance to be involved in. Called Stax Records: 50 Years of Soul was at the Royal Albert Hall and paid tribute to pioneering Memphis label Stax Records which was founded in 1957 and became synonymous with Southern soul.

The importance of the Southern soul sound went way beyond music uniting people at a time of racial tension and political unrest. The Late Night Prom brought together some of the label’s greatest surviving artists including Booker T Jones and Sam Moore. Beverley performed a magnificent version of Private Number with William Bell. It is utterly dreamy. We’ve watched it eight times and counting. Sir Tom Jones was also involved along with Ruby Turner, Steve Cropper and James Morrison.

IN THE GENES

It’s a line trotted out by many an X Factor hopeful, but it genuinely feels like Beverley was born to sing. Her mum used to lead the singing in church with her ‘sweet, melodic voice’ and all of the women on her mother’s side of the family have either been singers or musicians, so it came naturally.

“I did as much singing as I could as a youngster and when I left school I started doing local community things which eventually led to me being spotted in a club. I’ve always had a good sense of melody and understood that a song needs a great big hook. I play the piano, so I just started to write my own little things. Admittedly they were rubbish, but thankfully they’ve got better!”

All-round good girl Beverley Knight talks about her ‘glorious’ new stage career, why she nearly didn’t accept her MBE and how the wonderful people of Wolverhampton deserve better Interview by Shelley Carter

Wolverhampton lovely and soul singer Beverley Knight is immensely proud of her roots. Despite a gruelling schedule in the West End, she’s back in the Midlands as often as possible and in fact chose her current house in North London because it’s easy for her to get home. “By home I mean Wolverhampton. Always,” she coos. Aged just 40, Beverley’s CV is immense. She’s sold more than a million albums, one platinum and four gold, scooped three MOBOs and an outstanding achievement gong at the Urban Music Awards, has sung with the likes of Stevie Wonder, Prince and Chaka Khan to name just a few and collected an MBE along the way. She’s now turning her hand to the theatre with great success as Rachel Marron in The Bodyguard at London’s Adelphi Theatre.

BAPTISM OF FIRE

The Bodyguard is a bit of a departure for Beverley and took her by surprise. “I hit 40,” she says, “and was itching to get stuck into something new. I hadn’t done any acting since I was a child, but this came up and I thought why not. I’ll go for it and thankfully I got the part.” Beverley is relishing the opportunity and is enjoying positive reviews, but it has been challenging too. “This is really in at the deep end stuff, but it’s an absolutely glorious feeling. It’s intense too. I’m performing six nights a week and my character sings all but one of the numbers, but it’s tremendous.” Beverley’s enthusiasm is infectious. She is smothered in a cold and sounds pretty ill when we speak, but on her way to the theatre she is as chipper as ever. “The adrenaline will kick in when I go on stage and it won’t bother me at all.”

PRINCE CHARMING

There have been many moments in Beverley’s career when she must have had to pinch herself. “I’ve done so many amazing things, but I have to say working with Prince has to be one of the best. He’s extraordinarily sexy and devastatingly charismatic.” Beverley won Celebrity Mastermind with Prince as her specialist subject, so she’s a proper fan too. Beverley’s MBE was also a highlight, but in a totally different way. “I ummed and aahed about whether or not to accept the MBE at all. I was only in my thirties and it felt a bit ridiculous, but then I thought about my parents and their journey and how they’d managed to carve out a new life here. I realised any success I’d managed to accrue was down to them and on that basis I accepted it. I went to the Palace with mum and dad. It’s the only time I ever saw my dad cry. He was a conservative man, you know a man’s man and I’d never seen him show such emotion. It was overwhelming for me.”

EARLY DAYS

As a child Beverley was constantly singing in church and at school. Her mum used to lead the singing in church with her ‘sweet, melodic voice’ and all of the women on her mother’s side of the family have either been singers or musicians, so it came naturally to Beverley. “I did as much singing as I could as a youngster and when I left school I started doing local community things which eventually led to me being spotted in a club. I’ve always had a good sense of melody and understood that a song needs a great big hook (a rousing chorus). I play the piano, so I just started to write my own little things. Admittedly they were rubbish, but thankfully they’ve got better!” Inspired by everyday life as well as personal experiences, Beverley points out that it could be as simple as the lady walking by on her telephone that triggers her next hit. “I might imagine who she’s talking to and what about and an idea could just spark from there.” Having achieved so much already what’s next for Beverley? “I’d do more stage if it was right. Also people keep trying to steer me towards the silver screen which appeals, but I’m not an actress you know, however I am a perfectionist so I’d have to do it right. Lots of people have made the leap from music to screen and it hasn’t worked. I watch Justin Timberlake with interest though. He’s a fabulous actor.”

GIRL NEXT DOOR

Beverley’s conversation is natural and warm and it’s like having a natter with a friend. There is no hint of diva behaviour which would be forgivable given she’s such a star. She stops the taxi at one point and asks the driver to drop her off at Tesco because she needs some supplies for her dressing room and then carries on chatting in the rain until the interview’s natural conclusion. It’s very refreshing. With mixed feelings about the changes back home over the past decade, Beverley says: “Birmingham is thriving. When I was young the Bullring was a shithole, but look at it now! It’s amazing. My little Selfridges is fab. The thing that has always been amazing is the people. They are just gorgeous.” She adds: “The downside of Birmingham’s growth is the rest of the Midlands including Wolverhampton is woeful. We need to spread the success around. The beautiful people of Wolverhampton deserve it. They are magnificent.” With that, our natter is over and Beverley is off to wow another packed theatre. Glorious. .